prepare your hand held digital device for our arrival with this “app.”
We hit shortly, in the ATL
33°45′18″N 84°23′24″W
We arrive shortly. There has been a call for an articulation of (e.a.r.)T.H.
Shooting the down, arriving the 21st tune. 2nd Beat, 9th Pulse. (Feb 9th, 2013)
These colorful mazes aren’t illustrations or paintings - they’re photos shot through a microscope.
Fabian Oefner mixed watercolor and ferrofluid and placed it in an electromagnetic field to create patterns. It’s the iron in the ferrofluid that makes the black lines that separate the colors.
And the story this time…
LIVE NARRATION
This chronosphere has seen major disturbance in the last few hours. The young woman is fluttering between one presence and prescience, between a fantasy and a new reality. She wears the Patch. She abuses the Patch. In the agony of her ecstasy she has called a portal open, allowing us to experience multiple Tunes at once. We have arrived.
The transdimensional beings known as the ori.Xas were last seen in the 21st Tune in the coordinates of 34.20980972,-118.48997333 after a freak encounter with space fish disrupted Their SUT causing them to crash land here on (e.a.r.)TH {(early acquisition retreat) Theater Homeunit] at the jumpstation FlyAway. They were on a mission to collect a precious element, Rhythm, essential to their existence and the proper pitch of each Tune, within the 33 dimensions for which they are responsible. This mission was called N2 B.O.O.G.I.E. (that’s Better Optimized Orb Growing Intelligence Eternally) It was to take them to Detroit, where an intense amount of rhythm had been detected in the ferrous field in the chronospheres of 60 - 90 of Tune 20. Residual amounts are still strong and have been detected radiating now across radio frequencies from laterals and between the 41st and 10th parallels, or as is colloquially stated, ‘From Sea to Shining Sea.”
After finally catching local transport to make it to LAX to meet team leader ori.Xa-BA, the team had a few rough spots as they accidentally pulsed to the Airliner Nightclub while attempting to get on the airliner on the tarmac. Eventually they made it back to the LAX to board a terrestrial bound flight to Detroit.
Enough rhythm was collected there to fuel the repair of the SUT, the Chain of Light that is the customary travel device for the ori.Xas. The e.X.u., the swiss army knife of communications and materializations hardware, was also repaired, thus allowing the ori.Xas to once again travel freely between Tunes, enjoying the harmonics of the dimensions in the multiverse.
ori.Xa-Ian.i was also able to launch the translation film with ori.Xa-LU into hologram form. That is what we are. We record, translate and transmit the journeys of the ori.Xa in localized form. We are Anyan-Wu, The Sound of Light & Cognition.
augmented for proper B.O.O.G.I.E.
prepare your hand held digital device for our arrival with this “app.”
we so enjoy anymons simulations of the everlove of the B.O.O.G.I.E.
We are dipping into the slip stream, leaving the 22nd Tune between the 41st and 10th parallels looking for anymons like this one with Long Memory of the B.O.O.G.I.E. The e.X.u. indicates that we must return to the 21st Tune, where the Great Forgetting commenced. We need clean clear Rhythm to continue our journey. Too much static on even this line. What is this “Tanqueray?”
We return to this ferrous field, in search of what anymons call “black history.”
Tickets are on sale now. Join us.
